.
East of Eden, the end of an afternoon’s nap
finds us sprawled cheek to toe, deep in a game
of chance. Never mind romance, at four,
this was what I knew: days shape themselves
after your whim, I look to you.
Sixes and sevens, you’d say as you palm
for the win. Odds and evens, I’d count off
each spin as the squares fall away. I always
stay, even as the numbers begin adding up
not to my salvation, but my ruin.
Freed from hiding at last, the snakes
twist wetly and flick their tongues
in an intimation of garden-variety lust.
I pull out cracker after cracker from a box
and ponder: in this game, what truth do we trust?
Our years’ careful reckoning ups the ante:
Is it a draw, or is it over? You will turn nine
in September and shortly thereafter
will no longer speak to me, or
to anyone else, for all that it should matter.
I have learned to hedge my bets, to err on
the side of caution. Afternoons now, the sun
through that one window: a cold eye that ogles
the whorl on my thumb, skims the blue of my
bent head, and brings to light much, much less.
.




Thanks, fm and Hannah!
I have been struggling with my lines lately, they are often obstinate and always want to go a certain way.
Hannah, it thrills me that you find that bit of gray area in the poem--I do think it tucks in the hem quite neatly.
Posted by: melissa | 26 September 2005 at 10:57 AM
That has to be one of the best opening lines to anything I've read, prose or poetry.
And best of all, it's an accurate indication of what follows........
Posted by: forgottenmachine | 23 September 2005 at 02:03 PM
I love that last line...nice arc all the way through to that..."brings to light much, much less."
That line has great ambiguity..both that it brings to light, simultaneously, much, and less than much...and also that it brings to light very little at all.
-H
Posted by: Hannah | 23 September 2005 at 01:26 AM